Archive for the ‘Acadia National Park’ Tag
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At Acadia National Park, Otter Cliffs area, 2010.
Going through my photostream, I found a number of images that didn’t seem “right” to me. At the very least, I wasn’t interested in having them on display any longer. My processing techniques have changed over the years. Whereas I used to tonemap with one of a number of programs, I no longer tonemap at all. I generally find the results to be “soft”, unrealistic, or downright hideous if the settings are not handled properly. Such was the case with the version of this image back in 2010, I felt.
The image has been reworked with new techniques and an entirely new approach. As I compare the two versions side-by-side, I’m rather amazed that I let the previous version go out into the wild. I’d show it here, but… nahhhhh.
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Lately, I’ve been reading interesting information about personality types.
I’ve always been one who enjoys solitude, preferring a quiet, solo hike in the woods in favor of large gatherings of people. In the past, I believed that this was “anti-social behavior,” a notion perhaps perpetuated by my bros at the time. Don’t get me wrong… I love good people and enjoy their company immensely. But, all in all, I prefer quietude and places that are not seething with too many humans packed closely together.
In my reading, I’ve found that I exhibit a particular personality type that tends to embrace solitude (T1/w9, for those who know.) While there’s always room in one’s life for a raucously good time in large groups, there is comfort in knowing that wanting to be alone in nature is not a “flaw” of any sort.
This is why this image appeals to me, and why I’ve chosen to revisit it. I’m drawn not only to scenes like this, but can relate to that one person standing there, cup of coffee in hand, taking in the natural beauty in much the same way that I appreciate it.
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I’ve said it before: I’m not an early morning person… usually.
While in Acadia National Park last autumn, we got in the habit of waking up early — around 4:30AM — so that we could get a cup of coffee and transport down to the waterfront for sunrise shooting. During the two weeks we were there, most sunrises were rather mundane due to the clear weather, but on occasion… this. It was well worth the effort, and had the added benefit of putting us in a place where there were few other people, if any at all.
This was taken from a set of 9 frames, merged in Photoshop Merge to HDR Pro, finishing with a bit of Topaz Clean (for the rock foreground), and a slight radial filter in the clouds to accentuate some of the long exposures.
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I was thinking about running an ad: “For Sale: Nikon D600 with 24-70 f/2.8 lens. Cheap. Used once in a marine environment.”
Despite the proximity to the crashing waves, the camera is fine. I kept it covered whenever the spray got too close.
Thunder Hole is a popular destination along the Park Loop Road in Acadia National Park, and is usually loaded with tourists. More often than not, people don’t get to see much action at this spot. But when offshore storms kick up larger waves, the place really lights off. Indeed, in the past some visitors have been flossed off the rocks by rogue waves.
At this cleft in the rocks, incoming waves rush in, trapping air in a small cave or hole. Something has to give, and the competing forces of incoming water and escaping air create a thunderous explosion of sound and spray. On a good day, you can hear the “Whump!” from a fair distance, even from the cliffs overlooking the area.
I wasn’t sure how best to convey the action of the place, eventually deciding to create a tetraptych of just one wave as it came in and broke against the rock.
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In the relatively small area that is Acadia National Park, beautiful scenes are everywhere. It’s also one of the nation’s most heavily visited parks, so people are everywhere, and most of them have cameras to capture their share of the scenery. And like most parks, there are certain areas where people are ‘funneled’ into one small section that reveals a highlight.
Such is the case with Jordan Pond and “The Bubbles”, those two small peaks across the water. What you don’t see in this picture are the hundreds of other visitors strolling along the carriageways and paths leading along the pond.
The views in this place are archetypal, and have been photographed probably millions of times. As such, it’s difficult to envision a new approach, a new angle or lighting that would present the subject in a unique way. Sometimes I wonder if that’s even possible without creating an abstract rendition.
We take the shot anyway, hoping to capture this particular scene, on this particular day, with those particular clouds. Perhaps get down low to see it from a worm’s eye view. Maybe add on a neutral-density filter to smooth out the water.
In the end, whether or not we come up with an image that is utterly unique or one that’s fairly commonplace, we can appreciate having been there that day, experiencing nature’s beauty as the light changes with the passing clouds, knowing that each of these moments IS a completely new and unique experience.
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When the weather is yucky and overcast, with no subjects of real interest in sight, it’s time to get on the hands and knees and scramble over the rocks.
Down near Ship Harbor and Wonderland on the “quiet side” of Mt. Desert Island, expansive slabs of rock extend into the ocean. Shallow pools filled with life are created from the receding tide, and as long as one is careful with their footing, you can get up close and personal with all manner of little critters and plants. I found this particular collection of denizens to be a lovely composition, but it also looked quite delicious. (I didn’t do it.)
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There’s no place for photography quite like Maine, particularly Mt. Desert Island and Acadia National Park. There are quite a few people in the area — tourists mostly — and any number of areas that might be considered a bit bland, but around almost every bend, you might be greeted with a scene such as this one.
Typical. Typical, and incredibly beautiful.
If only there was a way to capture the sense of salt air; the sound of seagulls squabbling over a found mollusk; the hearty, clean scent of low tide.
Just a bit north of Bass Harbor, we drove past this area before turning around for the shot. For me, it seems to capture the essence of Maine, with the expansive skies, the scenic beauty, and those wonderful boats that conspire to bring me yet another lobster at the end of the day.
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I never was much of one for waking up early, nor much for black & white photography. But, some places suggest pushing past those preferences into finding something new.
Crawling out of the sleeping bag (the nice… warm… sleeping bag, mind you) at about 4:30AM each day, we made a daily pilgrimage down to the cliffs to catch the sunrise. Due to the great weather we had during the trip, the sunrises were a bit droll because of few clouds, so I started playing around with long exposures, neutral density filters, and alternative views of the area.
During post-processing, I tried to conjure up some of Bob Lussier’s great B&W photography. Bob sets the bar quite high, but at least it’s something different to try out.
1/8sec at f/14, 36mm, ISO 100, way too early.
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“Missed them by that much.”
Susan and I had a lovely autumn vacation in 2014, graced by some of the best, driest weather we’ve ever experienced in New England. When you’re living in a tent for a month, rain is not usually welcomed. The only disadvantage to all that dryness is that on most mornings, there weren’t any clouds that would provide photographic interest.
Still, we’ll take it. After sunrises, we got a lot of hiking and biking in on the trails of Acadia.
We spent a total of 16 nights on the island — surely a record for us. Despite the long stay, our circumstances dictated that we leave for New Hampshire to meet up with my college buddy JUST before the NxNW crew arrived at Acadia — Bob Lussier, Mike Criswell, Mark Garbowski, Chris Nitz, Len Saltier, and a number of other photographers that I would have loved to meet in person. Perhaps next year would work out.
Enjoy the scenery — A delightful sunrise on the rocks near Otter Point, remarkably devoid of other people, which can be a rare event on the island.
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The general consensus in photography is that you don’t shoot at the height of the day. I can understand the reasoning, but… I dunno…. sometimes it seems to work out just fine. I think such is the case here, where we’re presented with a stunning view from Dorr Mountain in Acadia National Park (Maine), looking south toward Otter Cove, Blackwoods, and Southwest Harbor, where a few lobsters await us after the hike.
The ‘model’ is my lovely bride, Susan, and yes… that’s a teddy bear in her pack. “Bobo, the Magnificent” he calls himself.
As with my previous image, Boats on Somes Sound in Early Morning Fog, I employed the approach of working with multiple merged frames in 32-bit mode, without the ‘standard’ tonemapping that’s used with Photomatix or other HDR programs. It seems the results are much more crisp and ‘realistic’, while still bringing in the extended dynamic range that multiple frames can provide.
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Ahhhhh… This was the view from our campsite while we were at Acadia National Park/Mt. Desert Island. Placid water, cool temperatures, and mysterious fog rolling through Somes Sound made for one of those delightfully perfect mornings. No coffee was necessary to be fully alert in a place like this.
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In a departure from my usual workflow, I took a new tack by merging three frames in Photomatix to create an .HDR file, but instead of tonemapping in Photomatix, edited the resulting file in 32-bit, then 16-bit mode directly in Photoshop. Since I’ve tended to post-process in a more ‘realistic’ style lately, the steps were perfect for the look I wanted to achieve.
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