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Every autumn, we try to get up to New England to camp, hike and witness the stunning foliage. With equal frequency, we seem to be dealing with a major rain event. (The White Mountain National Forest in NH has been called “The Asbestos Forest”… it never burns.)

Such was the case on our trip in 2010. A major storm moved in over the area for several days. We lashed down the tent and tried to remain occupied despite the weather. Thing is, when you’re living outside, there aren’t many places to hide.

Knowing that local waterfalls would be epic, we descended the steep stone stairs of Glen Ellis Gorge to see what Glen Ellis Falls would look like. Standing in deep puddles and using covers to protect the gear from the rain, we took a series of ten frames on a dark, brooding sort of scene.

In the time since 2010, I’ve left this set untouched, not quite knowing how to approach it. There were many imperfections that needed to be addressed, including trees and foliage being whipped by the winds, rain on the lens, minimal light and a color balance that was far from good. It was only when I decided to capitalize on the dark, apocalyptic nature of the scene that I found what I was looking for.

We left shortly after this picture was taken. We had had enough.

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Storm at the Stage – @ Rob Hanson Photography

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One of our favorite places to spend our vacation time is in the White Mountains of New Hampshire. We drop our tent in a campground located a bit to the right of this frame, and spend as much time as possible hiking the hills.

The weather doesn’t always cooperate.

I know that there’s merit in climbing a mountain in almost any weather, but as the years go by I see less and less sense in spending the day going up, only to not see a thing. I’ll leave that for the younger ones…

When the weather turns foul – as it frequently does in the mountains in autumn – we retreat to a certain spot along the road, where we can sit in the warm truck, watching the clouds rolling over the peaks, while plotting the next day’s adventures… weather permitting.

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Initially, I wasn’t sure what to do with this image as there was no distinct subject in the full frame that came out of the camera. I found that cropping it as a 2:1 panoramic did the trick. HDR from seven exposures +/-1EV, HDR Express, 32 Float, and Photomatix for the base, Nik and OnOne for the embellishments in Photoshop.